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PIRANESI

(Giovanni Piranesi, 1720-78)

Piranesi, Giovanni Battista - Italian etcher, archaeologist and architect. He was born in Venice and was active in Rome from 1740. He was famous for his poetic views of Rome and also his fantastic imaginary interiors. Trained in Venice as an engineer and architect, his studies had included perspective and stage design. These skills, allied to his deep knowledge of archaeology, provided the substance for his Vedute (Views), a series of 135 etchings of ancient and contemporary Rome, published from 1745 onwards, which established the popular mental image of the city. Piranesi's image was a thoroughly romanticized one, with effects of scale exploited to make the buildings appear larger and grander and exaggerating the contrasts of light and shade to invest them with drama. His most remarkable etchings are perhaps those of imaginary interiors, the Carceri d'Invenzione (Imaginary Prisons), a series of plates issued in 1749-50 and reworked in 1761.

Piranesi was also an outspoken architectural polemicist who believed absolutely in the supremacy of Roman over Greek architecture, an argument he expounded most forcefully in his Della magnificenza ed architettura dei Romani (On the Magnificence of Roman Architecture, 1761). In his other major treatise, the Parere sull'architettura (Observations on Architecture, 1765), he advocated an imaginative use of antique Roman models to produce a new style of architecture. Only one building was ever erected to his designs, the rather unexceptional church of S. Maria del Priorato, Rome (1764-6).

Piranesi's influence as an architect may have been negligible, but his romanticized views and imaginary interiors had a profound effect on stage designers, painters of capricci such as Hubert Robert, and even writers: William Beckford, the author of the Gothic novel, Vathek (1786) wrote, 'I drew chasms, and subterranean hollows, the domain of fear and torture, with chains, racks, wheels and dreadful engines in the style of Piranesi.' In the 20th century his imaginary interiors have been admired by the Surrealists and provided source material for horror film set designers.

- From The Bulfinch Guide to Art History

 PIRANESI_CARCERI_WELL

Piranesi, Giovanni The Well Carceri, plate XIII of Second Edition Etching, engraving, scratching, burnishing, lavis State V 41.1 x 56 cm

 PIRANESI_CARCERI_TITLE

Piranesi, Giovanni Title Plate Carceri, Plate I of Second Edition Etching, engraving, sulphur tint or open bite State VIII 55.3 x 41.9 cm

 PIRANESI_CARCERI_ROUND_TOWER

Piranesi, Giovanni The Round Tower Carceri, plate III of Second Edition Etching, engraving, sulphur tint or open bite, burnishing State V 55.6 x 41.8 cm

 PIRANESI_CARCERI_DRAWBRIDGE

Piranesi, Giovanni The Drawbridge Carceri, plate VII of Second Edition Etching, engraving, scratching State V 56.1 x 41.5 cm