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COROT

Jean-Baptiste-Camille Corot
(1796-1875)

"There is only one master here - Corot. We are nothing
compared to him, nothing.
" Claude Monet, 1897

"He is still the strongest, he anticipated everything..."
Edgar Degas, 1883

Introduction [to the 1996 catalog of the exhibition "Corot"]

Today it is rather surprising to read the unqualified praise for Corot voiced over and over again by the generation of painters who were maturing just when he died. It seems peculiar that these artists so greatly esteemed le père Corot, since Corot pretended to be out of touch with artistic developments at the end of his life and disapproved of the confrontational nature of the work produced by Monet and the otherIntransigeants seeking to commandeer the walls of the annual Paris Salon. The very notion of modernity that infuses much of Monet's art, the knowing urbanity of Degas's, the ceaseless experimentation that characterizes both these oeuvres seem completely at odds with Corot's contemplative vision of a timeless, unchanging Arcadia - or what some call his monotonous views of Ville-d'Avray. Reading further, one learns that in the late 1920s and early 1930s both the painter Jacques Emile Blanche and the historian Alfred Barr, founder of New York's Museum of Modern Art, believed that Corot's impact on twentieth-century art would rival Cezanne's. These views are so far from the present day conception of Corot's importance to the history of painting that a thorough reappraisal of his art is clearly long overdue.

Since the 1930s historians have attempted to establish Corot as the precursor of Impressionism, the inventor of sunlit landscapes untroubled by anecdote or meaningful incident. Struck by his marvelous studies painted in the open air in Italy, the writers Germain Bazin and Kenneth Clark saw Corot as the perfectly optical painter with a perfectly innocent eye - in short, the unthinking man's painter - so long as he was only sketching from nature. Comparing the on-the-spot study of the bridge at Narni with the finished Salon painting of the same view, Bazin called the former "a marvel of spontaneity in which there is already the germ of Impressionism, [while] the Salon picture, even though it is painted in beautiful thick paint and with great delicacy, is nonetheless a rather artificial Neoclassical composition." In Clark's opinion, the same study "is as free as the most vigorous Constable; the finished picture in Ottawa is tamer than the tamest imitation of Claude."

Since the 1980s, when Peter Galassi directed attention to the outdoor painting of Corot's near contemporaries Michallon, Bertin, Granet, and Caruelle d'Aligny, art historians have linked Corot to the generation of painters who preceded him as opposed to those who followed him. As those and other painters in Corot's Italian circle became better known, Corot was more and more seen as the obedient disciple of Pierre-Henri Valenciennes, the codifier of Neoclassical landscape painting; as the last in a line of painters continuing to work an aesthetic forged in the eighteenth century.

Yet while both views contain much truth, neither characterization of Corot - as the last Neoclassicist or as the first Impressionist - is sufficient to encompass the totality of his achievement. For example, neither explanation satisfactorily accommodates the extraordinary history paintings, among them Hagar in the WildernessDiana Surprised in Her BathDemocritus and the AbderitesHomer and the Shepherds, that actually made Corot's reputation in the 1840s: the kind of painting that prompted Baudelaire to write, "at the head of the modern school of landscape stands M. Corot." These are the works that continue to disturb modern critics.

Nor does either theory adequately account for Corot as a painter of figures. When pressed by an interlocutor, Degas proclaimed Corot an even greater figure painter than a landscapist. It was largely the figure paintings that Degas recommended to his collector friends, such as Henri Rouart, who owned Lady in Blue. Degas's colleague Mary Cassattactively counseled American collectors the Havermeyers, the Palmers, Colonel Payne, and others to buy figure paintings rather than landscapes. It was Corot the figure painter who impressed Van Gogh,Gauguin, and Cezanne; as Edward Lucie-Smith has observed, paintings such as Corot's Dance of the Nymphs may be the key to Cezanne's late paintings of bathers. In the 1910s, Juan Gris and Picasso copied figures by Corot. The exhibition of his figure paintings organized at Paul Rosenberg & Cie. in 1928 profoundly affected the work of Andre Derainand Andre Lhote, and it prompted Blanche and Barr to reevaluate Corot's impact on the art of the present century.

Yet today Corot continues to elude art historians and critics, which is why we believed it important to mount a retrospective in which every aspect of his painted oeuvre would be fully represented. A different kind of exhibition might have shown Corot only at his most ravishing, but it would be deceptive: a fundamental aspect of Corot's work is that his drawing is sometimes awkward, his compositions sometimes formulaic. An exhibition tightly focused by theme or period might have shown Corot as a more coherent and consistent artist than he appears here; but his oeuvre does in fact reflect the seemingly contradictory tenets of Neoclassicism, Romanticism, Realism, and Naturalism. Nonetheless, artists from Delacroix to Courbet to Renoir to Picasso, who knew Corot's work well, stubbornly held it in the highest possible regard. We hope that this exhibition will enable a new generation of viewers to know Corot's art well and to discover for themselves all that his paintings have to offer.

- From the introduction to "Corot"

 COROT_WOMAN_READING

COROT, Jean-Baptiste Camille Woman Reading in a Landscape 1869 Oil on canvas 21 3/8 x 14 3/4 in. The Metropolitan Museum of Art, New York

 COROT_SOUVENIR

COROT, Jean-Baptiste Camille Souvenir of Mortefontaine 1864 Oil on canvas 25 1/2 x 35 in. Musee du Louvre, Paris

 COROT_SIN_LE_NOBLE

COROT, Jean-Baptiste Camille The Sin-le-Noble Road near Douai 1873 Oil on canvas 23 5/8 x 31 7/8 in. Musee du Louvre, Paris

 COROT_SAINT_LO

COROT, Jean-Baptiste Camille View of Saint Lo with the River Vire in the Foreground c. 1850-55 Oil on canvas 18 1/8 x 25 5/8 in. Musee du Louvre, Paris

 COROT_PEARL

COROT, Jean-Baptiste Camille Woman with a Pearl c. 1858-68 Oil on canvas 27 1/2 x 21 1/2" (70 x 55 cm) Musee du Louvre, Paris

 COROT_ORPHEUS

COROT, Jean-Baptiste-Camille Orpheus Leading Eurydice from the Underworld 1861 Oil on canvas 44 1/4 x 54 in. (112.3 x 137.1 cm) Museum of Fine Arts, Houston, Texas

 COROT_LADY_IN_BLUE

COROT, Jean-Baptiste Camille Lady in Blue 1874 Oil on canvas 31 1/2 x 19 7/8 in. Musee du Louvre, Paris

 COROT_LA_TOILETTE

COROT, Jean-Baptiste Camille La Toilette (Landscape with Figures) 1859 Oil on canvas 70 1/2 x 36 1/4 in. Private Collection, Paris

 COROT_GOAT_HERD

COROT, Jean-Baptiste Camille The Goat-Herd of Genzano 1843 Oil on canvas 14 1/2 x 22 3/8 in. The Phillips Collection, Washington

 COROT_GENOA

COROT, Jean-Baptiste Camille View of Genoa from the Promenade of Acqua Sola 1834 Oil on canvas 11 5/8 x 16 3/8 in. The Art Institute of Chicago

 COROT_FARNESE

COROT, Jean-Baptiste Camille View from the Farnese Gardens, Rome 1826 Oil on canvas 25.1 x 40.6 cm (9 7/8 x 16 in.) The Phillips Collection, Washington, D.C.

 COROT_DANCE_OF_NYMPHS

COROT, Jean-Baptiste Camille Morning, the Dance of the Nymphs c. 1850 Oil on canvas 38 1/2 x 51 1/4 in. Musee du Louvre, Paris

 COROT_CATHEDRAL_MANTES

COROT, Jean-Baptiste Camille The Cathedral of Mantes 1865-69 Oil on canvas 20 1/8 x 12 5/8 in. Musee Saint Denis, Rheims

 COROT_BOATMAN

COROT, Jean-Baptiste-Camille The Boatman of Mortefontaine c. 1865-70 Oil on canvas 24 x 35 3/8 in. (60.9 x 89.8 cm) Frick Collection, New York

 COROT_AT_DAWN

COROT, Jean-Baptiste Camille Peasants Under the Trees at Dawn, Morvan c. 1840-45 Oil on canvas 10 3/4 x 15 3/4 in. National Gallery, London

 COROT_AGOSTINA

COROT, Jean-Baptiste-Camille Agostina c. 1866 Oil on canvas 52 1/4 x 38 3/8 in. (132.8 x 97.6 cm) The National Gallery of Art, Washington, D.C.

corot_The_Cathedral_of_Mantes_/_La_cathedrale_de_Mantes

Bazille

Corot

Corot

Jean-Baptiste-Camille Corot. The Cathedral of Mantes / La cathedrale de Mantes. 1865-1869. Oil on canvas. Musée des Beaux-Arts, Reims, France

corot_Memory_of_Montefontaine_/_Souvenir_de_Montefontaine

Bazille

Corot

Corot

Jean-Baptiste-Camille Corot. Memory of Montefontaine / Souvenir de Montefontaine. Salon of 1864. Oil on canvas. 65 x 89 cm. Louvre, Paris, France

corot_Woman_in_Blue

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Corot

Corot

Jean-Baptiste-Camille Corot. Woman in Blue. 1874. Oil on canvas. 80x 50.5 cm. Louvre, Paris, France

corot_Landscape_with_a_Boy_in_a_White_Shirt

Bazille

Corot

Corot

Jean-Baptiste-Camille Corot. Landscape with a Boy in a White Shirt. c. 1855-1860. Oil on canvas. Collection of Alice Meyer, Berlin. Now in The Hermitage, St. Petersburg, Russia

corot_Rocks_in_Amalfi

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Corot

Corot

Jean-Baptiste-Camille Corot. Rocks in Amalfi. 1828. Oil on canvas. Till 1929 belonged to Baron von der Heydt, Berlin (?) Now in The Hermitage, St. Petersburg, Russia

corot_Le_Chateau_Saint-Ange

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Corot

Corot

Jean-Baptiste-Camille Corot. Le Chateau Saint-Ange. Oil on paper mounted on canvas. 27 x 40 cm. Musee des Beaux-Arts, Lille, France

corot_Morning

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Corot

Corot

Jean-Baptiste-Camille Corot. Morning. Early 1860s. Oil on canvas. 32.5 x 46.5 cm. The Hermitage, St. Petersburg, Russia.

corot_Trees_on_a_Swamp

Bazille

Corot

Corot

Jean-Baptiste-Camille Corot. Trees on a Swamp. c. 1855-60. Oil on canvas. 25.5 x 38 cm. The Hermitage, St. Petersburg, Russia.

corot_Evening

Bazille

Corot

Corot

Jean-Baptiste-Camille Corot. Evening. c. 1855-60. Oil on canvas. 34.5 x 46 cm. The Hermitage, St. Petersburg, Russia.

corot_Landscape_with_a_Lake

Bazille

Corot

Corot

Jean-Baptiste-Camille Corot. Landscape with a Lake. c. 1860-73. Oil on canvas. 53 x 65.5 cm. The Hermitage, St. Petersburg, Russia

corot_Peasant_Woman_with_a_Cow

Bazille

Corot

Corot

Jean-Baptiste-Camille Corot. Peasant Woman with a Cow. c. 1865-70. Oil on canvas, 47.5 x 35. The Hermitage, St. Petersburg, Russia.

corot_The_Colosseum:_View_from_the_Farnese_Gardens

Bazille

Corot

Corot

Jean-Baptiste-Camille Corot. The Colosseum: View from the Farnese Gardens. 1826. Oil on paper mounted on canvas. 30 x 49 cm. Louvre, Paris, France

corot_Pool_in_the_Woods

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Corot

Corot

Jean-Baptiste-Camille Corot. Pool in the Woods. c. 1865-70. Oil on canvas, 61 x 51. The Hermitage, St. Petersburg, Russia.

corot_Landscape_with_Cows

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Corot

Corot

Jean-Baptiste-Camille Corot. Landscape with Cows. c. 1865-74. oil on canvas, 22 x 17. The Hermitage, St. Petersburg, Russia.

corot_Ville-d'Array:_Entrance_to_the_Wood_with_a_Girl_Tending_Cows

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Corot

Corot

Jean-Baptiste-Camille Corot. Ville-d'Array: Entrance to the Wood with a Girl Tending Cows. Oil on canvas. 1823-25. 46 x 35 cm. National Gallery of Scotland, Edinburgh, UK.

corot_Rome:_The_Forum_Seen_from_the_Farnese_Gardens

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Corot

Corot

Jean-Baptiste-Camille Corot. Rome: The Forum Seen from the Farnese Gardens. 1826. Oil on paper mounted on canvas. 28 x 50 cm. Louvre, Paris, France.

corot_Rome:_The_Church_of_Trinità_dei_Monti_Seen_from_the_Valley_of_Trinità_dei_Monti

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Corot

Corot

Jean-Baptiste-Camille Corot. Rome: The Church of Trinità dei Monti Seen from the Valley of Trinità dei Monti. 1826-28. Oil on paper mounted on canvas. 27.3 x 44.7 cm. Musée d'Art and d'Historie, Geneva, Switzerland.

corot_Rome:_The_Church_of_Trinità_dei_Monti_Seen_from_the_French_Academy

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Corot

Corot

Jean-Baptiste-Camille Corot. Rome: The Church of Trinità dei Monti Seen from the French Academy. 1826-28. Oil on canvas. 45 x 74 cm. Louvre, Paris, France.

corot_Seated_Italian_Monk,_Reading,_Rome

Bazille

Corot

Corot

Jean-Baptiste-Camille Corot. Seated Italian Monk, Reading, Rome. 1826-28. Oil on canvas. 40 x 27 cm. Albright-Knox Art Gallery, Buffalo, NY, USA.

corot_The_Lake_of_Piediluco,_Umbria

Bazille

Corot

Corot

Jean-Baptiste-Camille Corot. The Lake of Piediluco, Umbria. 1826. Oil on canvas. 22 x 41 cm. Ashmolean Museum, Oxford, UK.

corot_Poussin's_Walk,_The_Roman_Campagna

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Corot

Corot

Jean-Baptiste-Camille Corot. Poussin's Walk, The Roman Campagna. 1826-28. Oil on canvas. 33 x 51 cm. Louvre, Paris, France

corot_The_Cabassud_Houses_at_Ville-d'Avray_/_Les_maisons_Cabassud_a_Ville-d'Avray

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Corot

Corot

Jean-Baptiste-Camille Corot. The Cabassud Houses at Ville-d'Avray / Les maisons Cabassud a Ville-d'Avray. 1835-1840. Oil on canvas. Louvre, Paris, France.

corot_View_of_Riva_in_the_Italian_Tyrol

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Corot

Corot

Jean-Baptiste-Camille Corot. View of Riva in the Italian Tyrol. 1834. Oil on canvas. 96 x 140 cm. Neue Pinakothek, Munich, Germany.

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Corot

Corot

N/A

corot_Landscape_with_Lake_and_Boatman

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Corot

Corot

Jean-Baptiste-Camille Corot. Landscape with Lake and Boatman. 1839. Oil on canvas. 62.5 x 102 cm. The J. Paul Getty Museum, Malibu, CA, USA.

corot_The_Baptism_of_Christ

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Corot

Corot

Jean-Baptiste-Camille Corot. The Baptism of Christ. 1844-45. Oil on canvas. 385 x205 cm. Church of Saint-Nicolas-du-Chardonnet, Paris, France

corot_Memory_of_Lake_Nemi,_Italy

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Corot

Corot

Jean-Baptiste-Camille Corot. Memory of Lake Nemi, Italy. 1865. Oil on canvas. 98 x 134. The Art Institute of Chicago, Chicago, IL, USA.

corot_Orpheus_Leading_Eurydice_from_the_Underworld

Bazille

Corot

Corot

Jean-Baptiste-Camille Corot. Orpheus Leading Eurydice from the Underworld. 1861. Oil on canvas. 113 x 137. The Museum of Fine Arts, Houston, TX, USA

corot_The_Letter

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Corot

Corot

Jean-Baptiste-Camille Corot. The Letter. 1865-70. Oil on wood. 54 x 36 cm. The Metropolitan Museum of Art, New York, USA.

corot_Sibylle

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Corot

Corot

Jean-Baptiste-Camille Corot. Sibylle. c. 1870. Oil on canvas. 81 x 65 cm. The Metropolitan Museum of Art, New York, USA

corot_Pensive_Woman_in_Oriental_Dress

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Corot

Corot

Jean-Baptiste-Camille Corot. Pensive Woman in Oriental Dress. 1879. Oil on canvas. 78 x 58 cm. Shelburne Museum, Shelburn, VT, USA

corot_The_Port_of_La_Rochelle_/_Le_port_de_La_Rochelle

Bazille

Corot

Corot

Jean-Baptiste-Camille Corot. The Port of La Rochelle / Le port de La Rochelle. 1851. Oil on canvas. Yale Center for British Art, New Haven, CT, USA

corot_Self-Portrait_with_Palette_in_Hand

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Corot

Corot

Jean-Baptiste-Camille Corot. Self-Portrait with Palette in Hand. c. 1834. Oil on canvas. 33 x 25 cm. Galleria degli Uffizi, Florence, Italy

corot_Italian_Villa_behind_Pines

Bazille

Corot

Corot

Jean-Baptiste-Camille Corot. Italian Villa behind Pines. Oil on canvas. 154.5 x 112 cm. Private collection.

corot_Saint_Sebastian

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Corot

Corot

Jean-Baptiste-Camille Corot. Saint Sebastian. 1850-60. Oil on canvas. 91 x 60.5 cm. Private collection

corot_Agostina

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Corot

Corot

Jean-Baptiste-Camille Corot. Agostina. 1866. Oil on canvas. 130 x 95 cm. The National Gallery of Art, Washington, DC, USA.

corot_The_Bridge_at_Narni

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Corot

Corot

Jean-Baptiste-Camille Corot. The Bridge at Narni. A study. Oil on paper mounted on canvas 34 x 48 cm. A study done in 1826 for a painting exhibited in the Salon of 1827 (which is now in the National Gallery of Canada, Ottawa). Louvre, Paris, France

corot_The_Church_of_Trinità_dei_Monti_Seen_from_the_Villa_Medici

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Corot

Corot

Jean-Baptiste-Camille Corot. The Church of Trinità dei Monti Seen from the Villa Medici. Oil on canvas. 45 x 74 cm. Louvre, Paris, France.

corot_Florence

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Corot

Corot

Jean-Baptiste-Camille Corot. Florence. View from the Boboli Gardens. Oil on canvas. 51 x 74 cm. Louvre, Paris, France.

corot_Woman_with_a_Pearl

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Corot

Corot

Jean-Baptiste-Camille Corot. Woman with a Pearl. Oil on canvas. 70 x 55 cm. Louvre, Paris, France.

corot_The_Colosseum_Seen_through_the_Arcades_of_the_Basilica_of_Constantine

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Corot

Corot

Jean-Baptiste-Camille Corot. The Colosseum Seen through the Arcades of the Basilica of Constantine. 1825. Oil on canvas. 23 x 35 cm. Louvre, Paris, France

corot_Man_in_Armor_or_Seated_Man_at_Arms

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Corot

Corot

Jean-Baptiste-Camille Corot. Man in Armor or Seated Man at Arms. c. 1868-1870. 73 x 59 cm. Musée d'Orsay, Paris, France.

corot_Interrupted_Reading

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Corot

Corot

Jean-Baptiste-Camille Corot. Interrupted Reading. c.1865-1870. Oil on canvas. 92 x 65 cm. Art Institute of Chicago, Chicago, IL, USA.

corot_The_Mill_of_Saint-Nicolas-les-Arraz

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Corot

Corot

Jean-Baptiste-Camille Corot. The Mill of Saint-Nicolas-les-Arraz. July 1874. 65.5 x 81 cm. Musée d'Orsay, Paris, France.

corot_A_Morning

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Corot

Corot

Jean-Baptiste-Camille Corot. A Morning. Dance of the Nymphs. Salon of 1850-51. 98 x 131 cm. Musée d'Orsay, Paris, France, Deposit from the Louvre

corot_The_Clearing

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Corot

Corot

Jean-Baptiste-Camille Corot. The Clearing. Memory of Ville d'Avray. Salon of 1872. 100 x 134 cm. Musée d'Orsay, Paris, France.

corot_A_Nymph_Playing_with_Cupid

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Corot

Corot

Jean-Baptiste-Camille Corot. A Nymph Playing with Cupid. Salon of 1857. 78.5 x 57 cm. Musée d'Orsay, Paris, France

corot_Young_Woman_in_a_Pink_Dress

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Corot

Corot

Jean-Baptiste-Camille Corot. Young Woman in a Pink Dress. 46 x 32 cm. Musée d'Orsay, Paris, France, deposit from the Louvre.

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Bazille

Corota

Corota

N/A

corot_Idylle

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Corot

Corot

Jean-Baptiste-Camille Corot. Idylle. 1859. Oil on canvas. Musée des Beaux-Arts, Lille, France

corot_Memory_of_Marcoussis,_near_Montlhéry_/_Souvenir_de_Marcoussis,_pres_Montlhéry

Bazille

Corot

Corot

Jean-Baptiste-Camille Corot. Memory of Marcoussis, near Montlhéry / Souvenir de Marcoussis, pres Montlhéry. 1855. Oil on canvas

corot_Chartres_Cathedral

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Corot

Corot

Jean-Baptiste-Camille Corot. Chartres Cathedral. 1830 (retouched 1872). Oil on canvas, 64 x 51.5 cm. Louvre, Paris, France.